Rager.вЂќ Over the course of the second half of The Chosen, the production palette lightens and hedges closer to the blend of indie rock, synth-pop, and hip hop that defined the first two MOTM albums.

The narrative premise Man on the Moon III: The Chosen is more half-baked according to the albumвЂ™s jacket copy, вЂњin one night, must face himself again and fight to win back his soul from the evil Mr. Waluigi is the true nowhere man, without the other characters he reflects, inverts, and parodies he has no reason to exist.вЂќ вЂњShow OutвЂќ is music, not a fictional Italian scoundrel, which means that its existence is not simply relative, but offensive.Дў010вЂ™s Man on the Moon II successfully developed the themes of its predecessor - hedonism, fame, and depression collide - resulting in the creation of CudiвЂ™s destructive alter-ego Mr. The mind-boggling degrees of bastardization, which begin with CudiвЂ™s own influence on Scott, recall вЂњI, We, Waluigi: A Post-Modern Analysis of WaluigiвЂќ : вЂњYou invert Mario to create Wario - Mario turned septic and libertarian - then you reflect the inversion in the reflection: you create a being who can only exist in reference to others.

The worst song on The Chosen is вЂњShow OutвЂќ (featuring Pop Smoke and Skepta), which attempts to graft ScottвЂ™s style onto contemporary drill a la вЂњGATTI,вЂќ except with a knock-off 808Melo beat.

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